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“Seeing face-to-face there, that changed the dial.” “I’m making this movie 55 to 60 years later, and it’s the same issue,” said Tillman Jr. “We want to thank you for making this movie.” “We are part of the Emmett Till family,” they said to him. He turned around to face a family of four adults of varying ages.
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As the director was walking out of the theater, he felt a tap on the shoulder. pointed to a moment a few weeks ago when Fox screened the film in Atlanta. It’s been really beautiful to watch-people who didn’t have those experiences, crying, saying, ‘I didn’t know it was like this for your communities.’” has been politicized, and many have been influenced by how they played out in the media.
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“There have been some people who are white, or who haven’t had these experiences, who understand now that they didn’t understand how to conceptualize these in a way that was personal before. “Everyone has a different emotional response depending on who they are and what speaks to them,” said Stenberg. Some school libraries in Texas and Missouri pulled the novel from shelves, citing its depiction of drug use, profanity, and offensive language. Thomas’s book already has had to fight a battle or two in our new culture wars.
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The Hate U Give focuses on the current social climate, which gives the movie its energy, but may also turn off audiences not interested in confronting topical issues at the multiplex. Some analysts have drawn similarities to the Oscar-nominated Selma (which grossed $52 million domestically) and Hidden Figures ($169 million domestically), but both of those films were set in the past, allowing the racism at their center to be viewed through the gauzy lens of history. Because The Hate U Give centers on a contemporary African-American experience, there aren’t a lot of comparisons for the studios to use in predicting its ultimate outcome. Sometimes, critical praise and positive word of mouth aren’t enough to move the needle to create a box-office sensation or even a modest hit. According to analyst Paul Dergarabedian, this October is up 54 percent over last year, and shows little sign of abating. It also has had to compete against Venom and A Star Is Born, both of which have already crossed the $100 million mark at the global box office. It held its own with a modest $10.6 million at the domestic box office so far (less than half of its $23 million budget), versus Halloween’s record-breaking $77 million. The Hate U Give opened wide this past weekend on roughly 2,300 screens, opposite Halloween’s nearly 4,000. Two years later the film, featuring up-and-comer Amandla Stenberg as Starr, has entered cinemas in both a very good month for movies, and one of incredibly stiff competition. “Films are always a risk, especially these delicate ones.” “We always believed in the story of the book, and it was something we wanted to tell,” said Gabler in a recent interview. In Thomas’s book, she saw a chance to present a new voice to an underserved audience with a universal story about fitting in.
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the Homo Sapiens Agenda (which became the film Love, Simon). She previously picked up John Green’s The Fault in Our Stars and Becky Albertalli’s Simon vs. But Gabler has a knack for zeitgeist-y, though risky material. At the time, Thomas’s book had yet to be published, let alone spend 85 weeks on the New York Times’s young-adult best-sellers list, as it eventually did. In 2016, Fox film executive Elizabeth Gabler, optioned author Angie Thomas’s debut young-adult novel, The Hate U Give, about an African-American teenager Starr Carter, who witnesses the death of her friend at the hands of a white policeman.